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Roger McGough - Said and Done mp3

Roger McGough - Said and Done mp3
Performer: Roger McGough
Title: Said and Done
Released: 2005
Label: Random House Audio
Country: UK
Style: Audiobook, Spoken Word
Catalog #: RC 920
Genre: Sounds
Rating: 4.7
Votes: 303
Formats: 3 × CD
FLAC size: 1313 mb
MP3 size: 1983 mb


1The Autobiography Read By The Author
2 CD 1
3The Autobiography Read By The Author
4 CD 3
5 CD 2


  • Read ByRoger McGough


In fatcase
Approx 3 hours


  • Barcode: 9781856868877


  • Phonographic Copyright (p) – Random House Audiobooks
  • Copyright (c) – Random House Audiobooks


Roger Joseph McGough CBE FRSL məˈɡɒf born 9 November 1937 is an English poet, performance poet, broadcaster, children's author and playwright. He presents the BBC Radio 4 programme Poetry Please, as well as performing his own poetry. McGough was one of the leading members of the Liverpool poets, a group of young poets influenced by Beat poetry and the popular music and culture of 1960s Liverpool. He is an honorary fellow of Liverpool John Moores University, fellow of the Royal Society of. Listen free to Roger McGough Said and Done. Roger McGough, born November 9th 1937, is a Liverpudlian poet who first gained recognition in the sixties as part of the Mersey Sound group of poets. He formed Scaffold with Mike McGear and John Gorman, who had a number one hit in 1968 with Lily The Pink. He was also involved in the film Yellow Submarine, and in the Beatles spoof, All You Need Is Cash, documenting the life of imaginary band The Rutles. In 1978 Roger released a musical version of his popular 1967 book, Summer With Monika. View wiki. Roger McGough's autobiography, Said and Done, was published in 2005. His latest adult poetry collection is As Far As I Know 2012. Critical perspective. Roger McGough has been one of Britains most well-loved poets since his work was included in the Penguin anthology, The Mersey Sound: Penguin Modern Poets 10, in 1967, along with the other Liverpool Poets, Adrian Henri and Brian Patten. The Mersey Sound has since sold over one million copies. Of the three Liverpool Poets who came to prominence at that time, all strongly influenced by Beat poetry, McGough has had by far the most steady and continuous success, quickly becoming a household name throughout Britain. Roger McGough starts his autobiography with an apology. There will, he says, be weaknesses in performance, including overeagerness to please and nervous mannerisms too consciously affected. He is quoting from a letter he often reads at the start of a performance, in which he claims that he is unable to be present, but that an actor will impersonate him. It's a device. Said And Done book. Roger McGough is one of Britain's best-loved poets, and something of. Roger first rose to prominence in the 1960s as a Roger McGough is one of Britain's best-loved poets, and something of a national institution. His name is ubiquitous with matter-of-fact Scouse humour, easy-going charm, and perfect observations of the idiosyncrasies of everyday life, whether you know him from his poetry, or from his regular broadcasts on television or radio. Enjoy Roger McGough reading one of his favourite poems 'The Sound Collector', included in his 80th birthday anthology '80'. Roger McGough. Said and Done 3xCD. Random House Audio. RC 920. Everyday low prices and free delivery on eligible & McGear's sole album is a witty delight, notable for both its occasional cool tuneful pop-psychedelic rock songs and more frequent blends of music and whimsical Liverpudlian comedypoetry. Of the song-oriented tracks, So Much in Love is groovy circa 1967-68 British harmony poprock with touches of heavy rock psychedelia, while the satirical Ex-Art Student with Jimi Hendrix on guitar combines sunny pop verses with an extended freaky psychedelic break. Basement Flat, by contrast, is a funny take on a British pub-style sing-along, while McGo. 332 pages, 16 unnumbered pages of plates : 24 cm. This is autobiography - and like the best of his poetry it is packed with humour, surreal observations, nostalgic reminiscences of love, life and loss. He tells of growing up in Liverpool during the Blitz, to the skiffle-crazy days of his adolescence, through to his time at university - and his meetings there with Larkin. He explores the ups-and-downs of being thrust into the limelight with The Scaffold, adrift in Soho helping write dialogue for the Beatles film 'Yellow Submarine, ' and adventures in New York wr
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